THE JUNGLE BOOK
Film Review by Fiore
“Look for
the bear necessities, the simple bear necessities. Forget about your worries and your
strife.” So sings Baloo the bear (hence
the play on words) and his outlook on life.
It is fitting the character is voiced by Bill Murray, because it’s the
same mien most of his roles personify.
Helping Murray in characterizations for this version of Rudyard
Kipling’s classic are: Christopher Walken,
Ben Kingsley, Scarlette Johansson, Idris Elba, Gary Shandling, Giancarlo
Esposito and Lupita Nyong’o. Together, they create live version of the
animals most of us came to know and love through the wonderful animators of
Disney, back in the day, before the studio became a progenitor of socialist
ideology.
Actually, to
call this version of THE JUNGLE BOOK
live is a total misnomer. The entire
film, including backgrounds, is CGI. The
only live person is new young star Neel Sethi. It’s his first movie, and it shows. He is the weak link in the film and is over
shadowed by voiced-over collections of dots.
To
emphasize, this is not a kid’s movie.
Anyone expecting the same primary-color based screen flashes as the
Disney cartoon will be sorely mistaken.
While the theatre was filled with wee tykes, it was relatively soon the
auditorium became boisterous with the cries and grumblings of bored little
minds. If your kids are under eleven ,
rent the cartoon and save the ticket price.
KEY SCENES TO LOOK FOR:
1.
The meeting with
Kaa
2.
Baloo and the
honey
3.
I want to be
like you
It, admittedly, has been years since I last read Kipling’s
opus, so while my memory may be faulty, I do remember the book being
allegorical, with the animals Mowgli meets representative of personality types;
much like George Orwell did in Animal Farm.
This script, adapted by Justin Marks, shifts the fantasy story of a
young man’s development and transition to manhood to the difference between man
and nature. While not preachy, and
certainly not as propaganda-filled as mockumentaries by Al Gore, it makes the
story more superficial.
Jon Favreau is not my favorite comedian. In fact, his comedy tends to cure my
insomnia; however, the man can craft a film with the best of them. He is masterful in his pacing and his
storytelling. He truly understands the
revelation of the three act script in visual images. As such, it should be no surprise Favreau has
crafted a fine film here, one that is quite enjoyable to watch.
THE GRADE FOR THE JUNGLE BOOK = B
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