LUCHA MEXICO
Film Review by Fiore
Anyone who enjoys pro wrestling
will relish LUCHA MEXICO, a documentary concerning the pro wrestling
circuit in Mexico, known as Lucha Libre.
Specifically, Directors Ian Markiewicz and Alex Hammond follow the
career paths of “1000 % Guapo” Shocker, the Blue Demon, Jon “Strongman”
Andersen and El Hijo Del Perro Aguayo, who lost his life in the ring at the
hands of Rey Mysterio.
Pro wrestling is always about
good vs evil; a collection of stereotyped personas who reflect current cultural
or societal mores and concepts, and test those elements in the ring with a series
of pre-determined maneuvers and gymnastic exercises. It’s a form of physical Kabuki Theatre.
Here in America, pro wrestling is
looked upon with scorn, and its fans regarded by the cultural elite as
subhuman; they are soap operas for the unwashed masses. In Mexico, pro wrestling is an integral part
of the culture and spans all socioeconomic strata. The wrestlers are larger than life heroes and
villains who bring a sense of justice to an oppressed people. Most of the wrestlers wear masks. The masks reflect the wrestler’s character,
and provide privacy for the performers, enabling them to return to a normal
lifestyle once they leave the ring.
The Blue Demon was a major
wrestling star in Mexico. Like Mils
Mascaras, he not only wrestled in the ring, but his popularity carried over to
movies and television. His son did
everything to avoid following in his father’s footsteps, but there was no
escaping his destiny. He now wrestles as
Blue Demon, Jr. and continues his father’s legacy in the squared circle and on celluloid.
The Lucha Libre style of
wrestling is broken into two camps, Technicos and Rudos. The former are technical wrestlers, utilizing
complicated aerial maneuvers and submission holds. The latter group, generally the villains, are
brutes and rely on overpowering strength.
A third faction, Pardos Del Mar, occasionally appears at shows. These wrestlers are the epitome of extreme
wrestling and often fight with broken light bulbs, barbed wire, chairs, tables,
hammers, tacks and other foreign objects.
Their matches are always bloody, and take a tremendous toll on the
performers.
One of these performers was Perro
Aguayo. He was involved in an extreme
match with Rey Mysterio. Both are crowd
favorites. One of Mysterio’s signature
moves went wrong and Aguayo’s spine broke.
Efforts to revive him were unsuccessful. LUCHA MEXICO shows the
aftermath of the accident and the reactions of those who worked with
Aguayo. It also details the training,
injuries and rehabilitation of some of the sport’s biggest stars.
KEY SCENES TO LOOK FOR:
1.
The death of
Aguayo
2.
Shocker’s
medical rehabilitation
3.
Jon Andersen’s
gym workout.
Several of Mexico’s stars are
displaced Americans. Bodybuilder and
strongman Jon Andersen, who is familiar to many from the “World’s Strongest Man”
competitions, wrestles as a good guy in Lucha Libre (which makes his daughters
very happy) and as a heavy in New Japan Wrestling. LUCHA MEXICO details his
dual life and the toll it takes on his body and his family.
Also featured is Giant
Bernard. For a time, he appeared in the
WWE as Lord Tensai, but promoters did not know what do to with him and had him
playing more comic relief than serious wrestler, so he quickly left WWE and
returned to Mexico and Japan. Currently,
Giant Bernard, who is actually Matt Bloom, is retired and serves as head
trainer at the WWE’s training center in Orlando, Fl.
LUCHA MEXICO is a fascinating look, outside of the ring, into
the gyms and hospitals that keep wrestling alive. Several Lucha Libre stars have successfully transitioned
to WWE wrestling, including Alberto Del Rio, Rey Mysterio, and the Lucha
Dragons. They retain their
Mexican personas and bring a bit of the Lucha Libre flavor to American
audiences.
LUCHA MEXICO realistically demonstrates the trenches of Mexican
wrestling in a dramatic and entertaining manner. This documentary is well assembled. It is enjoyable viewing for anyone interested
in pro wrestling, or anyone fascinated by the cultural differences in the sport’s
presentation.
THE GRADE FOR LUCHA MEXICO = A
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