GHOST OF A CHANCE
Film review by Fiore
In this day and age, when generations were raised with
the “Danger Stranger” campaign, it is near impossible to believe anyone, let
alone a couple traveling in a strange land, would trust a pair of overly
obvious outsiders to lead them on an escapade into the country. Yet, that is the entire premise of GHOST
HOUSE; and if you can’t accept the premise, the rest of the story falls short.
There is nice make-up work on the demon ghost, and she
does provide at least a half dozen jumping scares in the course of the
movie. Unfortunately, the film contains
a lot of items that are now commonplace in Schlock-B horror films, and as a
result GHOST HOUSE has a been there, done that feel to it.
The plot points and twists are telegraphed reels in
advance, so the film offers nothing new in the genre. In fact, the only element GHOST HOUSE offers
is locale. Events take place in
Thailand, known more for elephants and Tony Jaa than demon spirits.
Make-up designer Vincent Van Dyke is in top form, as
is Cinematographer Pierluigi Malavasi.
They give the movie gravitas and make it watchable. Many of the film’s scenes lack a music
soundtrack. Whether this was due to
budget constraints, or an attempt to heightened suspense is unclear, but there
are scenes, like the ones in the underground cave, that could have benefited
from accompanying music.

The best actors in the film are the Thai stars,
especially Michael S. New, who plays Gogo, the taxi driver. They all seem to be having more fun than the
others.
ACTING = D
CINEMATOGRAPHY = B
SOUND/MUSIC = D
LIGHTING = B
EDITING = B
SCRIPT = D
SFX = B
ACTION = C

GHOST HOUSE is a sci-fi Saturday night flick, best
viewed with a group of friends and plenty of adult beverages. Kevin O’Sullivan and Jason Chase Tyrrell have
penned a script that is too commonplace to watch in any other venue.
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