SEQUEL NOT AS SLICK
Film review by Fiore
It’s never easy to make a sequel as compelling as the
original. KINGSMAN: THE GOLDEN CIRCLE
makes a most valiant effort, but cannot live up to the level established by the
first. To be sure, it’s chock full of
action sequences, over the top storylines, a bevy of new stars and characters
and eye-goggling special effects, but the movie suffers, as most sequels do, in
repeating too many of the ploys and gimmicks that made KINGSMAN: THE SECRET SERVICE
one of the top films of the year.
PLOT
AND STARS:
Eggsy, again played by Taron Egerton, is living an
idyllic life with Princess Tilda, played by Hanna Alstrom, when a former
Kingsman trainee, Charlie Hesketh, played by Edward Holcroft, unleashes a
vicious attack on the Kingsman organization.
The maneuver forces Eggsy and Merlin, again played by the uber talented
Mark Strong, to join with their American counterparts, the Statesman.
With the introduction of Stateman, new stars enter the
espionage world of the well-dressed, well-mannered spy. “Champ” is played by Jeff Bridges, who seems
to be having a lot of fun in his role, playing a lighter version of his
character from HELL OR HIGH WATER. Channing Tatum, Halle Berry and Pedro Pascal
play his top agents.
The villainess in Poppy, played by Julianne
Moore. She has taken over the illegal
drug business, and is holding all drug users hostage for an antidote, only she
can provide. Julianne, whether playing
protagonist or antagonist, is always delicious on screen.
Most surprising of the newcomers is Sir Elton
John. He appears as himself, but in a
completely unexpected fashion. Poppy
kidnaps John so he can perform constantly for her. John, like Salma Hayek in HITMAN’S
BODYGUARD is so over the top, he steals the show. His fight scene is particularly funny.
PARTICULARS:
As established in the first film, KINGSMAN: THE GOLDEN CIRCLE
is filled with parquour and gymnastic techniques, cleverly mixed with slow
motion cameras, to enhance absolutely impossible physical feats. The cinematography is first rate, with the
exception of the snow lift sequence where the matting is suspect.
The film’s biggest flaw is its length. While old characters are reestablished and
new characters are introduced, the film endures for two and a half hours, which
is a good 45 minutes too long. Poor
editing results in unnecessary and over extended scenes.
REPORT CARD:
ACTING = B
CINEMATOGRAPHY = B
SOUND/MUSIC = A
EDITING = D
LIGHTING = C
SCRIPT = B
SFX = B
ACTION = B
SUMMARY:
KINGSMAN:
THE GOLDEN CIRCLE is a solid popcorn movie. It is just the ticket for a few chuckles and
Sir Elton is worth the price of a ticket alone.
It’s not a bad follow-up to the first, but it is certainly not as
smooth. There is a rather disturbing
pro-drug theme carried throughout the film, especially its endorsement of
recreational drug use. It is a bit
grating. Overall, though, KINGSMAN:
THE GOLDEN CIRCLE is an enjoyable time in the theatre.
REWATCHABLE INDEX: AVERAGE
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