CONFUSION WORKS

The most beneficial tool in Phillips’ arsenal is
confusion. Within the first two reels, SHORTWAVE
shifts from a kidnapping story, to a high-tech house prison thriller, to an
alien invasion action film. The scenes
bounce between the three-story angles, keeping the viewer off skewer. This
technique works well for the majority of the film, but it is apparent the
budget kept Phillips from writing a less conspiratorial conclusion.
Production Designer John Richoux teams with Yellow Turtle
FX to create adequate effects for SHORTWAVE. The violence and blood scenes are efficacious. The monsters are a bit lame, incorporating
the trite methodology of strategically placed prosthetics with black body
paint. This sci-fi black face is typical
for smaller budgets.
Director of Photography Lucas Galth incorporates cant
camera angles and off-line framing to add to Phillips’ aura of confusion. The technique is effective, though the over
the shoulder ploy is used too often.
Josh and Isabel Harris, played by Cristobal Tapia Montt
and Juanita Ringeling, respectively, lose their only daughter when she is
kidnapped from a local library. To help
renew their lives, Josh’s company relocates them to a secluded hillside research
facility. Meanwhile, Josh and his
research partner, Thomas, played by Kyle Davis, discover a cryptic
shortwave radio signal and its universal origins. Problems arise when the
signal opens a portal to an alien race as the couple is struggling with its own
emotional trauma. Also starring are Tina
Feliciano, Nina Senicar and Sara Malakul Lane.
The film is filled with dreaded three-name people, as newbies search for
elusive fame.
SHORTWAVE is a weird and cramped sci-fi yarn. Its purposeful confusion is its draw. It is currently available on Video On Demand
(VOD). I found SHORTWAVE an interesting
view, and I believe you will also.
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