Film Review by FIORE
DEADPOOL
2
is one of the funniest movies I’ve seen this year. I laughed from the opening to the closing
reel. All the items that made the first
film hilarious, return in the second, but are augmented to ridiculous
proportions. The movie begins with a new
over the top sequence before playing into a parody of Maurice Binder’s famous
James Bond openings. By this time, the movie had me hooked and I was along for
the laughs.
At the risk of offending my comic book friends, let me
state DEADPOOL is a lame, secondary
superhero. If the character wasn’t so
ribald, no one would notice him. The fact he scoffs at the very genre he
inhabits is the only thing that separate him from other b-list superheroes. To take it even one step further, the entire
concept of ‘superhero’ is ludicrous. Most
are mutants, or aliens purporting the concept that something is out there
better than man. In this sense, the only
true superhero is Batman, but, I digress.
Director David Leitch came in late to the project, after
initial director Tim Miller, who directed the first episode, ran into conflicts
with star Ryan Reynolds. He claimed
Reynolds just wanted a glossed-over, rubber stamp superhero film and he wanted
something more edgy. I guess he was
attempting a Darren Aronofsky ploy, but even though DEADPOOL is not kid friendly, Disney did not want the character pushing
the envelop more than its current status.
This all benefits Leitch, who has an unbridled hit on his hands. Reynolds wrote the script, along with fellow
scribes Rhett Reese and Paul Wernick.
Returning are Reynolds as Deadpool; Morena Baccarin as
Vanessa; Leslie Uggams as Blind Al; and T. J. Miller as Weasel. New to the cast are Josh Brolin as Cable; Zazie
Beetz as Domino; Bill Skarsgard as Zeitgeist; Terry Crews as Bedlam; Lewis Tan,
who was recently added to the cast of INTO
THE BADLANDS, as Shatterstar; Eddie Marsan and Julian Dennison. There are a plethora of cameo guest stars,
and guest heroes and villains from the Marvel Universe. This marks the second outing for Brolin in a
superhero film in just one month. Though
not as intense as his portrayal as Thanos, his version of Cable is mellow
enough to fit into the Disney cosmos and play foil to Deadpool.
Three editors cut DEADPOOL
2. It shows. The prison sequence is too long, and a bit
too boring, slowing the movie. It has a
different feel than the rest of the film, making it apparent another vision was
in play. Cinematography by Jonathan Sela
is yeoman, though most of the notable scenes are CGI and not camera
oriented. The soundtrack is noted for
its use of older pop tunes, than Tyler Bates original score.
Deadpool should never be a superhero. He is too much of a degenerate; but he is an
awful lot of fun for those who appreciate the inanity of immortal charcoal
briquettes, with ninja skills and regenerative powers The Lizard could only
dream of; check out the scene with Cable and Blind Al after Deadpool’s first
encounter with Juggernaut.
Adults only! Unless
you are an incredibly poor parent. DEADPOOL 2 will keep you laughing
through most of its duration. It’s only
half way through the year, but it’s already making my list for Best
Comedy.
No comments:
Post a Comment