Film Review by FIORE

The original ESCAPE
PLAN was an above average action flick notable for its combining Sly with his
buddy The Arnold for the first time. It
concerned a security expert who attempts a report on a new prison, only to be
hornswoggled into becoming one of its permanent clients. This second outing
features Sly as Ray Breslin once again running the world’s top security firm,
when suddenly, his elite team members disappear ensnared into Hades, the new
high tech prison, spawned by the founders of The Tomb, the prison Sly and
Arnold escaped from in the first film.
While the Arnold could not be convinced to help Sly with
this second film, the producers did manage to coax Dave Bautista, Curtis
Jackson, Wes Chatham and Jamie King to make extended cameos. They all add a bit of gravitas to the movie.

Technically, ESCAPE
PLAN 2: HADES is a comedy of errors.
The script by Miles Chapman features generic dialogue, which is only
salvaged by the quality of the actors.
The SFX are cartoonish, attempting to display electronic
schematics. The largest glitch is the
editing. Editors Vincent Tabaillon and
Carsten Kurpanek cut the sequences in disjointed manner. The transitions between segments are rough
and leave gaps in the storytelling.
ESCAPE PLAN 2: HADES does offer notable baubles for action
film fans. Bautista and Sly work well on screen, and it would be beneficial for
these two to work together again. It is
nice to see Chatham branching out from his small screen persona. He is a cult favorite playing Amos on THE EXPANSE, one of the show’s better
characters. The introduction of Xiaoming
to American audiences is beneficial.
Already a star in China as both an actor and singer, he displays all the
traits essential to becoming a major action star here as well. And, finally, Jackson drops the moot “50
cent” from his moniker.
Other than these virtues, ESCAPE PLAN 2: HADES slips into the realm of mediocre action
flicks. Had Sly been more involved with
the production instead of an extended cameo role, this could have been a decent
sequel.
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