Film Review by FIORE
The HOTEL ARTEMIS
is a make shift hospital for criminals.
It occupies four of the upper floors of a hotel building. It was
established by the criminal kingpin in a futuristic Los Angeles. The movie deals with one particularly bad
night, which is a Wednesday by the way, where Murphy’s Law rules. This sets the stage for one of the best
movies I’ve seen this year. HOTEL ARTEMIS is fashioned in the mien
of early John Carpenter works, like ASSAULT
ON PRECINCT 13 and ESCAPE FROM NEW
YORK. It’s B-schlock, done with
flair, augmented by a stellar cast. Even the film’s score captures the familiar
aura of those works.
I can’t say enough about how much fun I had watching this
film, other than go see it on the big screen.
While enveloped around a simple pretext, it has enough undercurrent in
subplots to allow it to work on multiple levels.
Jodie Foster is The Nurse.
She runs HOTEL ARTEMIS with
an iron-fist, backed up by Everest (Dave Bautista) who is the hospital’s muscle
and orderly. Foster is great in this
role, and with a bit of makeup, almost unfamiliar. She knows she doesn’t have an Oscar type
character, yet she delivers in Oscar worthy fashion. Bautista is a health professional, who can
“heal you to death” in a brutal manner, but who has a soft concern for The
Nurse.
Sterling K. Brown, as Waikiki, his codename given in the
hospital, and his band of rogues attempt a bank robbery on a night when the
city is torn by riots over the rights to water.
The robbery goes terribly wrong, leaving his crew shot and beaten. Luckily, Waikiki has a prepaid membership to HOTEL ARTEMIS, and he seeks medical
help and sanctuary there. Problems
develop when part of his crew are not members, and cannot be admitted. Next, a series of events occurs which will
see the normally stoic Nurse bend, or break all of the establishment’s rules.
HOTEL
ARTEMIS also boasts a pair of Pittsburgh boys in Jeff Goldblum and Zachary
Quinto. Goldblum’s appearance, though a
mere cameo, is priceless. Sofia Boutella
is one of the hospital’s patients, as is Charlie Day. Sofia’s career is mind-boggling; she manages
to capture some of the most erotic roles available, and certainly does not disappoint
here.
This movie was entertaining from start to finish. Wade Brown orchestrates some nifty fight
scenes, especially for Bautista and Sofia.
Chung-Hoon Chung captures the early Carpenter look through the lens and
Editors Gardner Gould and Paul Zucker
pace the film evenly to a perfect length.
HOTEL
ARTEMIS is worth multiple viewings and will serve well as an addition to your home video collection. It is the first film this year to capture the
coveted FIST OF FIORE AWARD, signifying excellence in film
entertainment. Action, thrills, comedy
and drama, are all rolled into one smooth (real smooth) presentation, under the
guidance and tutelage of Director and Writer, Drew Pearce.
I had a blast with this movie; I think you will, too.
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