PEPPERMINT
FILM REVIEW BY FIORE
Generally,
when Hollywood attempts to insert women into traditional male roles to be
politically correct, it fails miserably.
Can you say GHOSTBUSTERS? Sometimes, however, they do get it right.
With so many
male action heroes, Tinseltown decided, in order to play fair, women should be
action heroes, too. Outside of WONDER WOMAN, because she is a
superhero, those attempts have failed.
One that succeeded was ATOMIC
BLONDE with Charlize Theron. It
worked because the producers hired the crew from JOHN WICK to handle production.
They made Theron look realistic, and avoided the unrealistical tossing
around of 300 pound men by a ninety pound princess.
When STX
Films wanted to make Jennifer Garner an action film star, they hired the folks
behind TAKEN. That movie revitalized Liam Neeson’s career
and made him a box office star. PEPPERMINT could do the same for
Garner. The film offers nothing
new. It’s a standard revenge action
film, with a female lead where you would normally see Jason Statham, but he is currently
busy battling giant sharks. The pace is
swift enough to not notice the inconsistencies.
For fans of the action genre, PEPPERMINT
will be a nice addition.
Jennifer
plays Riley North. She witnesses the
erroneous drive by shooting of her husband and daughter. When the justice system fails to prosecute
the perpetrators, she falls off the grid for five years. During that time, she trains as a mercenary
and Muay Thai fighter. When she returns,
she’s loaded for bear and the mayhem begins.
Action film
fans will recognize PEPPERMINT’s nod
to Chinese revenge films as the first of Riley’s victims are strung up on a
Ferris wheel, much like the antagonists were hanged from telephone poles in
Bruce Lee films. Riley’s revenge is
satiated within the confines of the second reel. The rest of the film is filled with the
aftermath of the killings, and Riley eventually tracking the main drug lord
behind the cartel.
Technically,
Armorer Ian Kay is to be commended for selecting a noteworthy collection of
weapons in the celluloid carnage. Some small-minded
critics are already criticizing Kay and the producers for the amount of guns in
the film, especially during this current progressive charge politically to
eradicate the Second Amendment. Taking
guns out of a revenge action film is like filming JURASSIC WORLD with no dinosaurs.
Pay no attention to these nimrods.
They are what is wrong with the film industry.
Smartly, the
script by Chad St. John has Riley shooting the majority of her victims, avoiding
hand to hand combat scenes which no actress can make believable, outside of
Gina Carano. There is also a little used
collision montage during the drive-by scene which spawns Riley retribution. This is a rare cinematic event, the most
memorable involving Tom Hanks and Paul Newman in ROAD TO PERDITION.
All told, PEPPERMINT is a template revenge action
film. It’s done well, and Jennifer pulls
off the role of Riley mainly because she is not a runway model afraid to break
a nail. I believe she could get down and
dirty and shoot up the place. I think
you will, too.
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