Film Review by FIORE
NIGHT
OF THE VIRGIN is without question one of the worst films
ever made. It is a mismatch of plots with no continuity, poor acting, terrible
special effects and camera work your Uncle Charlie can best. Touted on the film festival circuit as a
major new horror experience, and one of the grossest films ever made, NIGHT OF THE VIRGIN cannot live up to
its own hype.
Nearly all the film’s budget is spent on fake blood. That’s not unusual for cheap Indie horror flicks,
but the producers botched this as well.
The blood indiscriminately shifts from red to maroon to black. At one point, the fake blood must have run
out, so Director Roberto San Sebastian shifts the entire film to black and
white, so Hersey’s syrup can be used for blood.
This is an old filmmakers’ ploy.
The syrup, however, does have a different consistency and it is
noticeable on film. Usually, directors
don’t shift the coloring of a movie to accommodate fake blood; though it was
done with aplomb in Vincent Price’s THE
TINGLER.
The story begins at a New Year’s Eve party, where Nico is
desperately attempting to score. He is a
buck-toothed geek, whom the ladies seem to delight in ridiculing. Just when it appears he will be spending New
Year’s alone, Medea, a woman old enough to be Nico’s grandmother, makes a play
for him. Nico, under the influence of
alcohol, calculates the old bag is better than nothing, and they leave for her
apartment. At this point in the film,
the script by Guillermo Guerrero slides down a muddy path faster than Michael
Douglas and Kathleen Turner in ROMANCING
THE STONE.
NIGHT
OF THE VIRGIN only has three main characters and they are
so erratic and inconsistent their actions and dialogue further augment the
film’s uselessness. The stars are Javier
Bodalo, Miriam Martin and Victor Amilibia, who spends the majority of the film
off camera screaming F-bombs, in an effort to break the record set by Samuel L.
Jackson.
Media begins to rant about a Nepalese goddess named Naoshi
and warns Nico not to step on the cockroaches or he will bring bad luck. The bad luck comes to anyone watching the
film past this point. There is allusion
to mixing menstrual blood with sperm, transferring pregnancy to the male, much
like sea horses do, and a demon child who, without validation, spontaneously
combusts to bring the film to an abrupt conclusion.
There is a brief social commentary on addiction to cell
phones. Medea shoves Nico’s phone into
her vagina to prevent him from distraction, though he has no qualms about
pulling it out to take his calls.
The script is a complete joke, the acting is worse than
juvenile, and the special effects are lamer than the Black Knight in MONTY PYTHON’S SEARCH FOR THE HOLLY GRAIL. After watching NIGHT OF THE VIRGIN I could feel parts of my brain dying to the
extent where Chuck Schumer and Nancy Pelosi were making sense. The tag line for NIGHT OF THE VIRGIN is “evil has no gender”. It also doesn’t have any qualities or skills
for filmmaking. NIGHT OF THE VIRGIN is currently available on Video On Demand.
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